In an instant I was able to go from sketching mode to inks, paints or whatever other media I choose. I was able to control the amount of pigment used, easily change colors, effects and even the surfaces painted on. Paint and brushes allowed me to blend and move my colors about as if they were real pigments on paper or canvas. A wide range of drawing tools and media are available and with a few simple clicks I was able to switch from one to the other. From the moment I pulled the ArtRage screen up on my computer monitor I immediately began using the program. “Time is money” as I tell my students.ĪrtRage Studio Pro 3.5 delivers all of that and much more. What I look for in a program is ease-of-use, easy navigation, recognizable icons that show me exactly what tool I’m using, easy switch-over from tool to tool, a wide range of effects such as textures, blending etc. My biggest complaint with computer drawing programs is that none of them, at the time, had friendly interfaces. Often I would hit the ground running and try my best to learn as I went. Deadlines were king and I didn’t always have the time to sit down, read through volumes of instruction manuals, drone through tutorials and attend classes or seminars on how to use particular programs. When I was in Commercial Art as a professional, time was of the essence. But, so many of them are so complicated and difficult to navigate and to find the proper tools that at times they can be frustrating. Don’t get me wrong there are some great programs out there with lots of features. One of the frustrations I’ve dealt with over the years is computer drawing software. Without the proper tools it makes my job much more difficult. Before that I was a graphic designer for 25 years so I know the importance of good drawing media and computer software. For example, adding thinners to your oil or watercolour brush not only makes your strokes go further before drying out, but also more transparent and less likely to show bristle marks.I teach drawing and Commercial Art/Computer Graphics at a local high school. The program also goes out of its way to make customising your media via the Settings pod as intuitive as possible. The big advantage they offer is that you can then quickly reposition, transform or erase the individual marks that make up your stroke. These can be created either by dragging a single sticker onto the canvas or, more usually, by laying down a stroke with the Sticker Spray. The second, Sticker Layers, are more unusual. However, in the art context, the most creative option is the ability to lay down natural media brushstrokes – especially useful when used with ArtRage’s ability to colour Stickers based on an original photo. This lets you quickly add photo-realistic objects such as leaves or pebbles, or abstract images such as blobs or characters. The most useful new tool is the Sticker Spray, which lets you apply multiple bitmap images to create a stroke or spray. There’s also a new Inking Pen that smoothes the strokes it applies and a Gloop Pen that produces expanding blobs of ink. New additions here include a Watercolour brush that understands how much pigment and water is loaded and whether the underlying canvas is dry or wet. ArtRage even encourages you to squeeze on paint via the paint tube then spread it around with its roller, brush and palette knife, smearing it into any existing paint and the underlying canvas. Here you can see the difference that a dedicated art package makes as your paint doesn’t just have colour but thickness and wetness. Most importantly, with its user-definable shortcuts, Clear Canvas mode and auto-hiding pods and panels, the ArtRage interface does everything it can to get out of your way and let you get on with the business of painting and drawing.ĪrtRage has long offered the basics of pencils, chalks, crayons, air brush and marker pens, but its real strength has always been its oil handling. It’s all very clean, simple and modern, and also includes pressure-sensitive tablet, multi-touch and multi-screen support.
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